Meet Lilian Tran of ISĒ

Lilian Tran is the founder of ISĒ, and organic Belgian linen company which crafts timeless pieces that are crisp, luxurious and sustainable. Read about how Lilian got to do what she does, what makes her tick, and how she has cultivated her creative career.

Image: ISĒ

Image: ISĒ

5 min read

Lilian Tran is the founder of ISĒ, and organic Belgian linen company which crafts timeless pieces that are crisp, luxurious and sustainable. Read about how Lilian got to do what she does, what makes her tick, and how she has cultivated her creative career.

Tell us a bit about yourself. 

When I was younger, I wanted to be a fashion designer because I loved making my own clothes. I eventually studied at the Whitehouse Institute of Design and went on to work in fashion. My career was spent working in Australia for the majority of my early years, and later working in fashion capitals like London and New York, which have been some of the best years of my life career-wise and in terms of personal development. 

With a busy lifestyle, I try to maintain a comfortable balance in my life. For my mental and physical health, I take pilates reformer sessions through the week, which I thoroughly enjoy. I see my family every Sunday for dinner and I make sure I have time for my partner and my friends. My weeks are busy but I stay organised and make it work.

What is your current business/creative pursuit/job?

I started ISĒ, in 2019 with the hope to create an honest business, built on an uncompromising quality standard with ethics and sustainability at the forefront. 

I had been feeling disillusioned by the fashion industry since the 2013 Rana Plaza collapse and it made me question the ethics and sustainability of the fashion world I was so drawn to. This was a big part of my why. I chose to make products for the home because I came to realise how important sleep is for your well-being.

My life is pretty demanding so I place importance on maintaining a balance, recharging and sleeping well to stay healthy.

Image: ISĒ

Image: ISĒ

How would you describe your career so far and how did you get into this industry?

I feel fortunate to have the opportunities I have had. Though, I also believe that it doesn’t come handed to you but is received through hard work, and maybe a little bit of luck. 

My career in fashion gave me the expertise to understand the manufacturing industry well. I have been able to gain experience in small businesses, where I was able to get hands on with a lot of different areas, and larger businesses, to specialise in what I did. 

When I landed my job in London, I was given the luxury of travel to meet with suppliers, go on sourcing and inspiration trips around the world on a regular basis to make my designs come to life. The skills I gained in London allowed me to specialise in what I did and gave me creative freedom. 

Once my time was up in London, I made my way to Berlin to work on my portfolio and then headed to New York and landed a job there. New York was a different kind of beast that really challenged me in many ways. Upon my return to Sydney, I decided I was ready for my next challenge, to create a story of my own grounded in values I felt strongly about.

What does a typical work day look like for you? 

I typically arrange my week in advance, in order of tasks of importance. I’ve learnt too well in the past that I am not productive when I have too many little things to do in the day as I lose focus. My week consists of emails, meetings, marketing, liaising with our suppliers, and admin for the most part.

Image: ISĒ linen

Image: ISĒ linen

Image: ISĒ leather throw

Image: ISĒ leather throw

What is the most important aspect of your job/ creative pursuit? 

I have a responsibility to maintain the health of the business and the planet. My vision is to uphold the company’s vision and values at a high level. Every partner we take on and every employee we hire believes in our vision and values. 

What have been some of the biggest challenges in your career? 

Presentations were probably my biggest fear in my early days. I am more comfortable with it now, but I won’t lie, it still makes me nervous to present my work. Its definitely a great skill to have and a skill worth mastering as it’s an important part of showcasing the work you have been working on and sharing it with the people in front of you. It’s exciting but at the same time a little daunting. 

Understanding how to organise your time is also very important. I find it’s great to sit down on a Sunday evening and plan for the week ahead so you know exactly what needs to be accomplished. Things don’t always go as planned, but at least you have a framework to start with.

What do you do in your ‘down time’ (and do you have a guilty pleasure)?

I enjoy my self care routine. It’s something that I have placed a focus on over the last 5 years. I have a weakness for Thai massages. It always leaves me feeling de-stressed and refreshed.

Image: ISĒ

Image: ISĒ

What are some of the things which inspires you?

I am a big believer that you can be inspired by absolutely anything around you. I take inspiration from talks that I attend, galleries, travel, magazines and people. 

Patti Smith continues to inspire me with her prose and her authenticity. My mentor, Gabrielle, inspires me everyday with the knowledge she shares on absolutely everything. My copywriter, Rossella, is quite possibly the kindest, most generous and humble human I know. Melinda Tually and Clare Press were the main people I turned to in the early days to learn about sustainability when it was all very new to the world many years ago. Instagram is a great source of inspiration also. Our suppliers persistence and dedication to sustainability inspires me to work with them to make a change for the world.

Best creative memory?

I was in year 5 working on a project on the planet Saturn. It was an exciting project because I was able to work on a large piece of black cardboard, write my findings in metallic coloured pens and create a work of art with silver and gold glitter. It was probably my proudest work.

What would you tell your younger self?

There is no such thing as a negative experience. Everything in life happens for a reason, so find the positive in the every bad situation and learn from this.

What advice would you give to someone who wanted to break into the industry you are in?

Do your research and make sure you enter it with a lot of persistence, passion and drive. It’s the only thing that I believe will make you successful, because you’ll realise that it may take a little bit longer than you think to get to where you want to be and there’s probably not going to be a lot of money coming your way for a little while. The only way is to be realistic with your expectations. Keep it real.

Image: ISĒ

Image: ISĒ

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Starting a creative business when you have young children

Whether you start a side hustle at night after the kids go to bed or launch a business during maternity leave, choosing the freedom of a business or freelancing is an increasingly popular choice for women who have young children. But there are questions. A lot of them. How, exactly, does it work? When do you work, how do you work, how do you decide what type of business to start?

To answer some of these questions, we interviewed three Creative Women’s Circle members who have forged this path for themselves. They give us some behind the scenes insights into the process of starting their businesses, and how, exactly, it all works.

Kerri Hollingsworth with her daughter

Kerri Hollingsworth with her daughter

5 min read

Whether you start a side hustle at night after the kids go to bed or launch a business during maternity leave, choosing the freedom of a business or freelancing is an increasingly popular choice for women who have young children. But there are questions. A lot of them. How, exactly, does it work? When do you work, how do you work, how do you decide what type of business to start? 

To answer some of these questions, we interviewed three Creative Women’s Circle members who have forged this path for themselves. They give us some behind the scenes insights into the process of starting their businesses, and how, exactly, it all works. 

Our interviewees

Nadine Nethery, based in Sydney with three children, runs Can Do Content. She is a copywriter who works with female entrepreneurs, helping them to find their brand persona and their ‘why’. A lot of these women are also juggling their business with family life, and it is Nadine’s mission to help them find their voice. 

Nadine Nethery. Image: Sister Scout Studio

Nadine Nethery. Image: Sister Scout Studio

Kerri Hollingsworth runs antiquate from her home in Gippsland, Victoria .  Combining two passions, one for upholstery and weaving and the other for sustainability, she uses recycled materials to create one-of-a-kind armchairs, each piece telling its own story. Kerri runs her business alongside being a mum to her three year old daughter. 

Kerri Hollingsworth

Kerri Hollingsworth

Melbourne-based Tess McCabe is a familiar name in CWC circles. The previous president of the Creative Women’s Circle board runs Creative Minds Publishing, a boutique publishing company that produces and sells high-quality books and resources that provide practical advice and inspiration for creative professionals­. She juggles this alongside part time work and caring for her two kids.

Tess McCabe

Tess McCabe

What prompted you to start your business?

Image: Kerri Hollingsworth

Image: Kerri Hollingsworth

Kerri: I started out doing standard upholstery before my daughter was born, while I was working as a flight attendant. But I was getting frustrated with the amount of waste I was producing in my home and my business. I was looking at the fabric scraps— my business of upholstery art, Antiquate Artistry, came from wanting to be less wasteful. The idea just evolved. If you let it evolve then its amazing where it goes.

Image: Tess McCabe

Image: Tess McCabe

Tess: I could say that wanted to diversify my income to incorporate products, but really I just wanted to design nice books and make all the decisions! Plus publishing is not a big money-earner (at least the way I do it!)

Nadine: The flexibility, and being able to do what I love. Corporate life isn’t for me. 

How did you get started?

Image: Sister Scout Studio

Image: Sister Scout Studio

Nadine: Like many female business owners I started my business as a side gig, around my day job in corporate events in communications. One of those boring days in the office I decided to give it a go. At the time I had two kids and was working full time. I thought, no pressure, and see how it goes. Then I got to the point where I almost had too much work, and went on maternity leave with my third child and have been working on Can Do Content since then.

Kerri: I was on maternity leave from my job as a flight attendant and when I was waiting to get the call to go back for retraining, I thought I would just give the upholstery business a go. Qantas called a few months later, but by then I had got into a magazine and had a front cover feature, had held an exhibition and I had three orders – one for eight chairs. I decided to leave flying. It was a really hard decision, but I couldn’t ignore the feeling, it was like my heart was bursting. And I knew I couldn’t combine flying and being away with motherhood.

Tess: It started unofficially through self-publishing Conversations with Creative Women in 2011, and was formalised into a company in 2014.

Image: Tess McCabe

Image: Tess McCabe

What obstacles and challenges have you faced?

Tess: Books need marketing to sell, so once the book is produced, while there is no more ‘making’, you have to find time to keep on top of marketing. Finding time is always a challenge!

Nadine: Probably confidence – imposter syndrome. I know I can write, I have a background in marketing, I know there is a need for my services but I still questioned myself. The self doubt and wondering if I’m good enough.

Kerri: I think the biggest challenge was probably my mindset. I’ve always been a really positive person, but you can’t help the fears that come up where you wonder if people think it’ll be silly, I’m constantly working to quiet those little voices that say ‘you’re stepping outside the norm’. A lot of us a fear of success because then people might react in a certain way.

What are the pros and cons to running a business vs having a job when you have a family?

Nadine: As a mum the paid sick days are a pro of a job. Whereas in your business everything stops and comes to a halt. You need a big support network if you have a deadline, partner, family and friends that can help. But the flexibility and the reward for finding a passion that you happen to get paid for, rather than showing up to an office everyday to get paid for something that you don’t want to do are the highlights of having your own business. And I love that no day is the same, no client ever has the same story.

Kerri: Financially having your own business there is more pressure. With a job you turn up and do your job and you go home and you know you’ll be paid. There was so much I loved about flying, but I know not being in the job I remember the good and not the hard parts – like the 23rd hour you’ve been awake and you still have to drive home.

Tess: I was running my own business as a graphic designer for various clients before having kids, so working for myself on my own books meant that I didn’t have external deadlines, only my own. But the money is different when you have a product-based business vs a service-based business. Time is not the only outlay and there is more financial risk.

How do you structure your business around your family?

Image: Tess McCabe

Image: Tess McCabe

Tess: Because I’m mostly the primary carer (and I have a p/t job) and my husband works full time, I use one weekend day when he is home to concentrate on my business. Outside of that, it’s night times.

Nadine: Before going on maternity leave, I worked on my lunchbreak, and then also in the evenings. I tried to keep the weekends free. At the moment its during naptime and the evenings and I still try not to work on the weekend.

Kerri: It looks different everyday – when my daughter was younger, it was a bit easier, because I would go into my workshop and work while she was sleeping. Nowadays when I’m working, if she wants to stay with me and I have to keep going, then she loves to help so I’ll give her something to do alongside me. I’ll set up a little loom and she’ll weave alongside me. I try and include her in everything so she doesn’t feel like she’s excluded. I hope that she sees it more as we’re playing together rather than ‘mummy’s at work’. We go on walks around our property if need be to reset. The two days she’s in daycare I do the things that I need to do that I can’t be interrupted for.

Final words of advice

Image: Sister Scout Studio

Image: Sister Scout Studio

Kerri: The main thing is to remember who you are. It’s so easy for mums to lose touch with yourself. If you’ve got a bit of an idea, don’t say its silly, because the voices that say that are just trying to keep you safe. Push through that because its really worth it. Your children and family fill your heart in one way but having your own purpose – they don’t take from each other if you give each their space. 

Nadine: Don’t wait for the perfect moment, if I waited for the perfect moment it wouldn’t have happened. If you have that underlying passion and desire for something, just do it. If you think too much then you can always find a reason not to do it. Just give it a go and the worst that can happen is it doesn’t work out. Don’t be too harsh on yourself. Don’t listen to the mum guilt, something has to give, if the dishes aren’t done, whatever, its going to be ok.”

Tess: It takes a village! Utilise and ask for help. And don’t be too hard on yourself – businesses can evolve as your kids grow.

Connect with Nadine, Kerri and Tess on Instagram:

@candocontent

@antiquate_artistry

@creativemindshq


Bec Mackey is a freelance feature writer who has worked in the media industry for over fifteen years. She writes about wellbeing, work, personal development and parenting, and when she can muster the energy and courage, she writes about Things That Matter. Connect with Bec via Instagram or at www.becmackey.com

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Meet Cat Rewha

Cat is a digital performance specialist working in the Australian live events industry. A music-head by night and data nerd by day, she is working toward building data frameworks that can predict sustainable economic trends in Australian arts & culture.

With a Bachelor of Arts (Hons.), Cat specialises in music as communication and is passionate about using the intersection of music, tech & culture as a tool to educate people about marginalised cultures.

Cat-Rewha-profile-pic-crop.jpg

Cat is a digital performance specialist working in the Australian live events industry. A music-head by night and data nerd by day, she is working toward building data frameworks that can predict sustainable economic trends in Australian arts & culture.

With a Bachelor of Arts (Hons.), Cat specialises in music as communication and is passionate about using the intersection of music, tech & culture as a tool to educate people about marginalised cultures.

Cat joins the CWC Board this year heading up Communications.

Tell us a bit about yourself. 

Studied - I dabbled a lot, but then focused in the end.
Philosophy, then communications, then marketing, then film, then back to communications to do an Honours in Ethnomusicology. It took 7 years to finally get a degree but I made it in the end.

Music - My Dad was a musician so my whole childhood centred around learning and listening to music. Nowadays I’m more of a listener but nothing truly excites me more than hearing a good transition in a DJ set.

Travel - I’m very interested in the different ways communities operate around the world so I like to get out of Australia every now and again to learn a thing or two about different ways of living. At the moment, I’m obsessed with the Nordics and have been lucky enough to take my travels there a few times.

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What does a typical work day look like for you? 

The only thing typical about my day is I take lunch at the same time everyday otherwise I get hangry.

What is your current business/creative pursuit/job?

I’m the Head of Digital at a creative and marketing agency called Bolster. We specialise in music and entertainment and I’m lucky to have a very diverse role that allows me to work with lots of very talented people.

Outside of that, I try my hand at film photography, writing and playing piano.

Cat-Rewha_Photos01.jpg

What is the most important aspect of your job/ creative pursuit? 

Maintaining healthy relationships with the people around me so that we can all achieve the same goals in the smoothest way possible.

What do you do in your ‘down time’ (and do you have a guilty pleasure)?

I’m not sure if this is ‘down time’ but I exercise if I want to relax. Running, walking, F45. That’s my definition of relaxing. My guilty pleasure is Jersey Shore. 

What are some of the things which inspires you?

Our next generations. The worldliness and creativity coming out of Gen Z is inspirational and mind-blowing. 

Grassroots activism - It’s inspiring to know that there are always people in our communities working tirelessly to make this world a fairer and safer place to live in. Their stories and achievements drive me to find meaningful purpose in everything that I do.

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Best creative memory?

I was in a band for awhile so some of my best memories were sitting around in rehearsal rooms coming up with songs, laughing about nothing and being able to sit around for half a day and just play music with my mates.

I also had a piece published a few years ago about idolising female musicians when I was growing up, one of which was Kim Gordon of Sonic Youth.  The article spread around a bit on Twitter and finally made it’s way to Kim Gordon who read it and inboxed me to thank me and wish me luck. That was pretty special.

What would you tell your younger self?

Good things take time.

What advice would you give to someone who wanted to break into the industry you are in?

You don’t always have to have the answers and you don’t always need to get it right. You just need to have the willingness to learn and the resilience to pick yourself up again when something goes wrong.

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Meet Mirte van der Lugt, Brand Director of Hey Tiger!

Hey Tiger's Brand Director Mirte, originally from The Netherlands, moved to Australia four years ago. With a background in both fashion and branding across Europe and Australia, she worked on campaigns for brands such as Nike, Landrover, Microsoft and a variety of young start ups. She brings a different approach to the Australian chocolate industry, looking at Hey Tiger as a lifestyle brand vs confectionary. For her, brands are all about inclusivity, making people feel accepted and part of something greater. Every like, follow, thumbs up and comment is a real human interaction and it’s important to never lose sight of that.

Hey-Tiger_Mirte02.jpg

Hey Tiger's Brand Director Mirte, originally from The Netherlands, moved to Australia four years ago. With a background in both fashion and branding across Europe and Australia, she worked on campaigns for brands such as Nike, Landrover, Microsoft and a variety of young start ups. She brings a different approach to the Australian chocolate industry, looking at Hey Tiger as a lifestyle brand vs confectionary. For her, brands are all about inclusivity, making people feel accepted and part of something greater. Every like, follow, thumbs up and comment is a real human interaction and it’s important to never lose sight of that.

I grew up in…

the Netherlands. In a town 40 minutes outside of Amsterdam. My younger brother and I were (and are) incredibly lucky with our parents. My mum introduced me to art and encouraged my creative side. While my father brought in philosophy and a wide understanding of business and human behaviour. When I think of it that way, it was the perfect melting pot for a career in branding. 

Education

My early school life was off to a rocky start. With my Dyslexia and ADHD labels firmly clipped to my back, I was anything but the ideal student. Schools denied me, test results were covered up as to not effect the schools reputation and the teachers weren't all that excited to have this difficult kid in their class. If it wasn’t for my parents and one incredible teacher who believed I could do more, I truly don’t know where I would have ended up. It wasn’t until I made a big change in high school that everything turned around. I found my passion for art and film and the kid that was once called dumb by her teachers (no joke) was now thriving at school. It’s funny what happens when a kid realises they only have themselves to rely on when it comes to education. I was only going to get out what I was putting in. Now that I was doing it for myself and I no longer listened to the negative feedback from my teachers,  I started kicking ass.

After High school I travelled for 3 months through Thailand where I met my Aussie beau Damon. After meeting him, I decided to live in Australia for a year and then Damon and I moved back to Amsterdam. I began my bachelor degree at The Amsterdam Fashion Institute where I studied fashion and branding.

Hey-Tiger_Mirte01.JPG

What did you do straight after your studies?

I moved to Australia to be with my now husband Damon. I first began working at an ad agency where I worked on brands such as Nike and Jeep. After that, I moved to a branding agency to work on brands such as Cadbury and Matilda Bay’s Fat Yak. But something was missing. I wanted to work for brands that my values aligned with and put my creativity into campaigns that truly do some form of good in the world. I then set out on my own, working with my own clients. A little while later,  holy smokes! How grateful was I to meet the glorious Cyan Ta’eed - but we can fan-girl about her later.

My business is located at

Our kitchen and office is in Cremorne, Melbourne but you can buy Hey Tiger online via our website. 

What does a typical work day look like for you?

My role is split into a bunch of different pieces. Let’s put it down to Manager, Producer, Planner and Do-er.

As a manager I need to manage and motivate my team. Make sure they know exactly what they're doing, where the priority lies and that they keep up-beat and feel heard. We’re a young, small company that is growing fast. This means we’re demanding a lot from everyone. So it’s important that they know we’re a team and how valuable and important their piece of the puzzle is.

As a producer I need to make sure departments work together to get our deadlines over the line. From external work with clients like Mecca to internal work like filming content for our socials, creating presentations for wholesale and getting new packaging to print. This would be impossible without our amazing new junior designer Erin Langford. Her incredible eye for detail and brilliant creative mind have become invaluable to our team.

As a planner I need to make sure our future campaigns are living up to our audiences expectations. For this I heavily lean on my right hand Breana Phillips (gulp! I just freaked out a little thinking of what Hey Tiger life would be like without her! I might need to take Beyonce’s advice and buy her that ring. Too much?). We work tirelessly and seamlessly to make sure all our marketing efforts are effective and on brand.

As a do’er, I also need to create and do The-Work. New campaigns, packaging designs, website collateral, ad’s, photoshoots, social content, styling… this is where Hey Tiger’s brand truly comes to life.
Oh and did I mention meetings and emails yet? Let’s just leave that for now shall we.

What have been some of the biggest challenges in your career?

I once was part of the growth of a small branding agency. I was in charge of building the agencies brand, new business and its culture. We started with 6 people and soon grew to about 15. Our energy and growth caught the attention of big clients and soon its father company saw an opportunity. They decided to merge the two in order to leverage the expertise of the father company and the youthfulness and growth of ours. I remember being worried this would negatively affect everything we had worked so hard on. Sadly my worries became reality. 

What followed was a year long struggle in knowing it was time for me to leave while wanting so much to stay and have it return to its old glory. I saw its culture diminish, I saw mistakes being made. I saw the company turn its back on its people and the fun and quirky brand we’d created - which had done so much for clients and culture. 

In hindsight, I stayed too long, but I learned so much from the experience. The importance of taking authentic risks with your brand and the importance of culture and team. 

What do you love best about your job?

Seeing people in our social community create artwork, photography, video’s with our products and on top of that, hearing how Hey Tiger makes them feel. This makes it incredibly rewarding. People truly feel part of our family and Hey Tiger genuinely gives them that unfiltered, simple joy.

Inclusiveness is one of my biggest personal values and Hey Tiger is no different. We put incredible effort into making everyone who contacts us feel heard and seen (even if we get negative comments - everyone gets treated the same). When someone posts about us, we make sure we thank them, TRULY, thank them. because what an honour that they graced us with that small square on their feed! I believe that it’s because of this that people feel so connected to Hey Tiger.

On top of that, it is our purpose. I'm incredibly grateful for Cyan Ta’eed (fannngirl time!) who founded Hey Tiger and brought this unique group of people together. She said “how can something (chocolate) that gives us so much joy do so much harm in the world?” and the action she took truly speaks to her character. She could have set up a for profit company but instead she turned the other way. Starting a value based brand that truly does good in the world. The fact that we’re not all bells and whistles but actually walk the talk with a stellar product, a learning attitude and an important purpose is a dream come true. I know that our hard work is not just lining the pockets of the big cheese but instead it is going to support our efforts to positively change an industry that is fundamentally broken.    

What do you get up to when not working?

I’m a bit of an extroverted introvert. While during the week I bounce around a million miles an hour, I like to take it easy on the weekend. My husband and I bought a block of land in Daylesford a few years ago and are now in the process of building our house so we can escape there on the weekends. The concrete has been poured and last weekend we saw the wooden frames that will make up our walls. Walking through this was an incredible experience and we can’t wait for it all to be done. This won’t only mean we will be able to escape to the incredible Australian nature on the weekend but also that specifically my parents can make the 24 hour flight down under and come stay here for several months. I truly want to make them feel at home and having them here would mean so much. Yes, your girl misses her Mum and Pops every day.

What’s on the horizon for the future? 

Hey Tiger, Hey Tiger, Hey Tiger. I believe this brand, its team, its product and its purpose is at the start of something big and I’m willing to work my butt off to get it there. Besides that, my husband and I always dream of creating our own furniture. He is a furniture maker and we’re always juggling ideas on how to make this a reality. The piles and piles of wood on our land in Daylesford is looking like a good opportunity to make this a reality BUT all in good time.

If you had any creative business advice what would it be?

Don’t be afraid to take risks and show your authenticity though your brand. We love leaning against the weird, having fun and joking around. We recently did a collaboration with instagram’s favourite dog Tofu. (@tofupupper). It took some convincing in the team, afterall, dogs don’t eat chocolate right? But it was one of our most successful campaigns to date. Decisions like this is what sets us apart from our competitors and makes us truly stand out - while having a whole lot of fun in the process. The genuine fun we have during our campaigns truly shines through our work and our audience feels that.

Screenshot of ‘Tofu’s Dream’ campaign video by Hey Tiger.

Screenshot of ‘Tofu’s Dream’ campaign video by Hey Tiger.

If you could be anyone else for a day, who would it be and why?

I’m really into philosophy, psychology and cultural behaviours. Because of that I would love to step into the mind of the people who write about or work in this space. I have a list of historical people but let’s keep it into 2019 shall we? Psychologist Esther Perel is one of them. To be in her mind and work with her patience would be incredible. For those interested, she recently started a podcast “Where should we begin” where she takes you into her counselling sessions with couples. It’s fascinating to listen to people's struggles and problems as it shows us how similar and human we really are but also how incredibly hard and beautiful it is for people to live and love together. It’s humbling. Other people would be the historian and philosopher Yuval Hoah Harari (Sapiens), the American Journalist Sebastian Junger (Tribe) and the author Robert Greene (The Laws of Human Nature). To step into their mind for a day and have the knowledge they possess. Pffeeewwweee transport me now... 

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A chat with Jes Egan

Jes Egan is a go-getter who believes there is always a positive way to view a situation or a solution to a problem. For Jes, every bump in the road just opens up a new direction to follow - who knows what you may end up with if try a new path. She joins the CWC board this year to share her wealth of knowledge as Head of Strategy and Partnerships.

Image: Bo Wong

Image: Bo Wong

Jes Egan is a go-getter who believes there is always a positive way to view a situation or a solution to a problem. For Jes, every bump in the road just opens up a new direction to follow - who knows what you may end up with if try a new path. She joins the CWC board this year to share her wealth of knowledge as Head of Strategy and Partnerships.

Tell us a bit about yourself…

I studied Bachelor of Design (Communication Design) + Diploma of Project Management (Swinburne). I worked in advertising / creative agencies for 15 years and have also lectured at Business by Design at Billie Blue, a design university, for 3.5 years

I love to experience new places and have worked overseas in the UK. I spent 2 years in London and London 4 in Manchester. Travelling is one of my favourite things, seeing how different cultures do different things. I like looking at how cultural differences impact the day to day and seeing how it can be applied to our daily life.

I also love the ocean, spend a lot of my time following ocean / water based photographers on instagram. 

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What is your current business/creative pursuit/job?

Currently I am the Operations Director for Linktree and Bolster. It’s a great job, two days are never the same.  My creative outlet is paper cutting (free hand cutting with a scalpel to create images), I sold my paper cuts under Paper Chap for a few years and now save it as my creative outlet (when I get the time!).

What does a typical work day look like for you? 

I’m an early bird and function really well in the morning and not so well at in the evening! I’m often at my desk around 7am, its my planning and most productive time. I plan out my day and get most of my solid thinking time done first thing. I head out mid/late afternoon to pick up the kids and keep in touch with work until the end of their day. 

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What have been some of the biggest challenges in your career? 

Having children! I was not prepared for the shift in your thinking that they bring. I would never change having them for the world, but I’d say I was not prepared for how that shifted my perspective on work, which was always so important to me. It still is important but I definitely have a much better balance with them in my life. 

What do you do in your ‘down time’ (and do you have a guilty pleasure)?

I hang out with my family as much as I can, any time we can make that near the beach even better. 

What are some of the things which inspires you?

I enjoying seeing people grow and progress, you learn a lot with experience and I enjoy mentoring / coaching people and giving them guidance or ideas to follow themselves. Seeing someone develop and give it all their best is so rewarding, we can all learn from each other, no matter what position, department or industry. 

Best creative memory?

I had a lot of fun at uni, I remember the late nights we’d pull come folio submission, meeting up at 7/11 at midnight for a slurpee to talk about the assignments or give each other tips on Mac short cuts (which I was always rubbish at, I’m much better now!).

A few years back I was at Supergraph, I did a few live paper cutting sessions that was great to show the process and make some mess.

What would you tell your younger self?

During my career there have been times when something happened at work and I really took it to heart, I’ve learnt to seperate work and personal a bit better now, I would’ve liked to have tried to think about it in that way when I was younger. Sometimes in business we need to learn to not take it personally. I think the adversity can be used to gain better insight, open up new paths, it’s not always fun at the time but can be seen as an opportunity. But I only now know that with in hindsight and with experience. 

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Say hello to new CWC president Amber Bonney

Amber Bonney wears many hats. As well as being the force behind her creative studio Edison Agency, she is a mother, wife, sister, strategic, designer, artist, writer, planner, mentor and mediator. Amber now adds the role of CWC President to that list. Prior to accepting the role , she was on the AGDA Victoria Council and spearheaded the development of their Professional Mentorship program. We chat with Amber on work, life, and the things in between.

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Amber Bonney wears many hats. As well as being the force behind her creative studio Edison Agency , she is a mother, wife, sister, strategic, designer, artist, writer, planner, mentor and mediator. Amber now adds the role of CWC President to that list. Prior to accepting the role , she was on the AGDA Victoria Council and spearheaded the development of their Professional Mentorship program. We chat with Amber on work, life, and the things in between.

Tell us about yourself

I was born and bred in Melbourne, a girl of the mid 70’s who is now resenting my slow metabolism and thickening waistline and enjoying my sparkling wine more than ever! I have 3 children aged 16, 14 and 4 and my husband and I have a blended ‘modern’ family so life’s pretty full-on… hence my love of sparkling wine! I come from a large family of 5 girls so life has always been big and hectic and I learnt early only how to hustle through life to get my needs met. As the middle child I have always been self-driven and independent and have developed strong mediation skills which have been useful as a business owner.

What do you do?

I am the founder of The Edison Agency, a strategic brand and design consultancy with offices in Melbourne and Sydney. We use strategy and design to help businesses make positive change. My role is Managing Director and Head of Strategy and I am responsible for the executive creative direction of all major brand projects. Over the past 22 years, I am proud to have been influential in helping iconic Australian and international brands maintain relevancy, define their purpose and vision, and connect with their audiences in a more meaningful way.

How did you get into this industry?

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I’m a communication designer by trade, an Alumni of Swinburne University, and have been blessed with a single minded career focus all my life. My father introduced me to the industry through his career in the marketing and packaging industry. Since the time I was 14 and went to my first University Open day, I knew this was what I wanted to do.

When you get to know me, you will understand why people refer to me sometimes as “a bull at a gate”. My mind moves quickly (great for creative strategy and thinking on ones feet) but it can be mentally and physically exhausting so I do try to manage my overactive brain with regular mindfulness practices using my phone app (I appreciate the irony) and of course the odd vino! I’m naturally intuitive which helps me forge strong and lasting personal and business relationships, some of my current clients are people I’ve worked with for over 15 years. 

What does a typical work day look like for you?

I like to schedule my time and live and die by my diary! My day is spent straddling client meetings, internal planning of projects, financial planning, and working closely with both our Group Account Director, Design Director and CFO. We are a small team of 10, so about 10% of my time would also be dedicated to making decisions and planning around people and culture.

Typically when we have a large meaty project starting I am consumed by research and strategy phases – I tend to be more involved in the first half of a project to establish the vision and creative precedence and then required less as the project evolves. I have a highly skilled team of people propping me up!

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What is the most important aspect of your job?

I am inspired by the potential design has to transform people, culture and business. Knowing that our work is helping make positive change for our clients is uber rewarding. Also, I am a sucker for complex design challenges. When I’m working on something difficult, I completely immerse myself in that business, brand, problem and deconstruct it until I can see and understand all the inputs and components. Only when I’ve done this can I put it back together and develop a strategic solution. I am obsessed with understanding “why” and go to enormous lengths as part of the research phase to really get under the skin of a brand or problem.

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What have been some of the biggest challenges in your career?  

I’m a proud feminist and I’m intolerant of the chauvinism our industry (and culture in general) is still accepting but I do see change and have high hopes for the world my daughter will grow up in. I’m a firm believer that it takes women banding together in support and advocacy of one another to truly make change. We are powerful, clever and innately resilient and this is why I believe in organisations like Creative Women’s Circle to shape the way women interact with each other, and within their industries.

What do you do in your ‘down time’ (and do you have a guilty pleasure)?

I spend most of my down time with my children down in coastal Victoria where I live. I am re-energized by the beach and am looking forward to summer where I can swim, play lawn bowls and make pina-coladas at home (guilty pleasure). My husband and I are both passionate mid-century design enthusiasts and we spent allot of time reading books, magazine and watching architecture and design-based TV series.

Best creative memory?

Seeing the first ad I designed in the weekend newspaper – think it was back in 1998! I think I still have it somewhere.

What would you tell your younger self?

You teach people how to treat you. Don’t accept sub-standard behaviour as it creates a pattern that’s hard to break. This is an important message for young women especially in the face of male dominated environments and with the rise of domestic violence issues.

What advice would you give to someone who wanted to break into the industry you are in?

Be brave. Take risks. Don’t be afraid to ask the “dumb” questions. Find a mentor. Research every potential employer, every client, every project – always be prepared and understand the “why” in every design challenge.

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Meet Jenny Brown of Melbournalia

Wander down the northern end of Bourke St and you will find a colourful store filled with all things Melbourne. We chat to owner Jenny Brown, owner and founder about work, life and that wonderful pocket of the city known affectionately as Bourke Hill.

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Wander down the northern end of Bourke St and you will find a colourful store filled with all things Melbourne. We chat to owner Jenny Brown, owner and founder about work, life and that wonderful pocket of the city known affectionately as Bourke Hill.

Tell us a bit about yourself…

I grew up in the northern suburbs of Melbourne. Growing up in the 70s in the big, flat, treeless north, before cafes, avocados or even colour TV, let alone the wonders of computer technology, mobile phones or Netflix was like watching repeats of a long Moomba Parade on a black and white TV with the sound turned down; uneventful, predictable but sort of quaint. I was the last of a huge family of 8, my parents were from the pre-war generation, the house held a multitude of memories and physical objects from a 30 year period. It was like living in a mysterious museum where a party had happened, but just before you arrived.

School was 12 years of looking sweet and pressed in my hand-me-down catholic schoolgirl uniforms. Straight after school, I discovered hair product, ripped stockings, coffee, pubs and boys. It was the 1980s. I studied art history and cinema studies.

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Tell us about your career

My Career is in shopkeeping! My business is located at the top end of Bourke St, Melbourne, we like to call the area Bourke Hill.

How did you get into this industry?

Attrition! I wanted to be an academic, a curator or an arts manager, but I kept finding myself behind a counter. Eventually I gave in and embraced it.

On a typical workday, I have coffee (my partner kindly delivers) check emails, the news and plan the work day before getting up. I then exercise a little. On days when I’m not opening the shop I tackle some accounts and answer emails at home, head into the shop before lunch, assist my highly capable staff, who are better at running things than me with whatever needs doing. I serve a few customers, tidy a few shelves, have more coffee, maybe plan some new stock lines, or do some ordering… I talk talk, talk to customers and suppliers, lock up late, head home, have wine. Finally I shower and do some stretches, sometimes I read, but mostly I pour over Instagram & Pinterest for ideas... I sleep and get ready to do it all again tomorrow!

What have been some of the biggest challenges in your career?

Probably coming to the realisation that I’m a terrific shopkeeper and being completely OK with that.

Best creative memory?

Heading up the rickety warehouse stairs in one of the old Munro buildings behind the Queen Vic Markets to our first a Melbournalia pop-up opening in late 2011, which had been planned in mere months, put together on hope, many favours and a shoestring budget... seeing that the place was full of friends, family and well wishers!

What’s on the horizon for the future?

I’m happy. I’d like to see the neighbourhood of Bourke Hill develop further. There are some terrific new businesses around us, and the old Job Warehouse and Palace Theatre sites are being redeveloped, which will be great for the area. There are of course some fabulous established and iconic Melbourne businesses in our neighbourhood such as Pellegrini’s, The Paperback Bookshop, Hill of Content and Gallery Funaki. I’d like Melbournalia (still a newcomer at just 5 years old) to be counted among them one day.

If you had any creative business advice what would it be?

Probably...take advice from those you trust, but listen to yourself and follow your heart as well as your head. Also, learn to delegate. You can’t excel at everything, but you can excel at finding the right person for the job!

If you could be anyone else for a day, who would it be and why?

My mum in 1953 (10 years before I was born). She had a whole bunch of kids, no car, the most basic appliances, a handsome, hard working but troubled war veteran husband, few outfits in her wardrobe, a jar of Ponds Cream and a lipstick on the dresser. Yet her house and her family were her pride and joy, both were always spotless, nothing went to waste, there was always good food on the table and fresh smelling washing on the Hills Hoist. One day in her shoes and I would never be complacent again.

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